#not to say I don't but she has an actual problem that needs dealing with and I just walk in like heehoo got one

[meatmensch]

The people that have abandoned me really need to stop talking to me like they have any right to tell me what to do, or I swear to God, I'm gonna get the FUCKING hammer.

[psychoticallytrans]

A surprisingly helpful bit of social maneuvering I've figured out from trial and error: Throughout your life, you are going to need things from people. Often, it's going to be on a deadline. And when that deadline passes, you generally want to know what's going on. So, you need to ask them.

There are two kinds of people, broadly, in this situation. The Shameless will tell you what the holdup is, with absolutely no regard for if the reason is "good enough". This is actually very helpful, because you get the real reason immediately, and can start working on a solution.

The Ashamed is trickier. People who are Ashamed are people who were often told they were giving excuses when they were trying to explain, and they'll often avoid you until they solve the problem on their own. This causes them and you a lot of stress, and often takes a lot longer to solve.

Long term, the strategy for dealing with people who are Ashamed is to provide a supportive environment where they're comfortable sharing any problems they're having with getting things done. But, there's a way to at least partially short-circuit that:

Provide an explanation for them.

One example might be "Hey Susan, I noticed that I don't have your report yet. Are you busy with other projects?" The readymade explanation signals that you're willing to accept an explanation, which is the big anxiety point.

Sometimes, you still won't get an honest answer- especially if the honest answer isn't "good enough" by the standards of the person who traumatized them. But, I've found that it often at least gets you a lie that lets you give them some slack or work around the problem.

Let's say that Susan has actually completely forgotten that she needed to do the report. She's horrified at herself, and completely unwilling to admit the real problem. But, she can now safely reply with "Sorry Jennifer, I've been swamped, and it got lost in the mix. I can have it to you in two days. Does that work?"

From there, so long as Susan gave an estimate for when she can actually do it, she and Jennifer can hash out a solution.

It's not a perfect solution, but it works astonishingly well for how small of a change it is.

[medicinemane]

At least I could disable the suggestions but just... I'm sick of it, I'm sick of companies trying to think for me

I'd rather be miserable but doing shit my own way than placid and glass eyed and just taking whatever companies tell me to

Like... literally just asking what I get out of writing a post on tumblr... zero suggestions, just letting me say whatever dumb stuff comes to my head

[skrunksthatwunk]

playing dmc1 with my earbuds in (but on low volume bc they're being weird) while my roommate and her shitty bf argue. i feel like i'm recreating the very specific experience of some child of divorce out there

[defiant-firefly]

It really does suck how hard it is to get a doctor's appointment in this country, but there's a certain humour to successfully getting one before your mum and the first thing she does when you walk in the room is call you a bitch in the same tone as when you just ate the last of the good chocolate.

[becausegoodheroesdeservekidneys]

would love your opinion of the newest episode of DW, if you get the chance.

HAHAHAHA YES I HAVE MANY THOUGHTS

Alright okay so

I only have one complaint, which is that that wasn't a faerie ring. You could still have the shamble, no problem, but it should have been over the top of an actual faerie ring, which should be a mushroom (or, at a push, stone) circle. Not some cotton that would blow clean off the cliff edge in three minutes.

HOWEVER

This is the first time I've seen Doctor Who do a time travel story using, not Doctor Who time travel lore and rules, but Welsh faerie rules. (First time I've seen anything do it, in fact.) In Welsh myth, people who enter faerie rings or get entranced by the music become suspended in time, out of sync with the real world. They think they danced for a night, but when they return it's been 100 years, and they crumble to dust as soon as they eat/drink/step on land/etc.

In this case, this is what I think happened to Ruby. She spent that time in Annwfn, seeing what would happen if the binding on the ring was broken. When she 'dies', she returns to the spot and lasts long enough to give her younger self the warning, then crumbles to dust.

But, a time travelling Ruby is not the woman who follows her throughout the episode. That, in fact, is a gwyll.

The gwyllion were hag faeries, usually of mountain tops (though Pembrokeshire's liminal cliffs are 100% from Welsh mythology - it was said that if you found a faerie ring on one but only put one foot in, you could see the faerie islands in the sea. And that faeries used to visit the human markets in Pembrokeshire and Ceredigion. So while gwyllion are unusual there, it's not an impossible relocation.) They were malicious and sometimes vicious faeries who delighted in making people lose their way, could strike an uncontrollable and ungodly terror into travellers, and who feature in more that one myth as an old woman that someone tried to approach, but they always appeared at the same distance away, impossible to catch up.

CAN YOU SEE THE PARALLELS

And the best part!! Is that this is why she defeats UNIT!!!

Kate tells Ruby that her agents have necklaces of silver and salt to keep out the supernatural, but that's just generic fairytale shit. That doesn't work on gwyllion. Salt drawn in a line would provide a barrier, but the UNIT soldiers aren't trying to trap or block the gwyll; they're trying to capture her. What works, very specifically, is a knife. Iron or steel for preference of course, but it needs to be a knife.

But UNIT has no Welsh employees and the soldiers have guns, not knives. And so they all become entranced.

(This is also what I think the gwyll 'says' to everyone to turn them against Ruby. She doesn't say anything - she sings.)

This is also the first time I've ever encountered any mainstream media doing Welsh faeries and understanding the tone to strike, which is 'unknowable, unstoppable and fucking terrifying'. I think I've only ever read it in Catharine Fisher books, and she's a Welsh author so... yeah, obviously. But I basically vibrated with delight and excitement for the entire episode.

Oh my god, hang on, Roger ap Gwilliam! Okay, I have two theories about him.

My weaker theory and the one I don't like is the kind of boring and obvious one, which is that he is himself not human. A lot of Welsh folklore features the devil, and I get that vibe from his role in the story. But, I'm not keen, because I can't see the link to the gwyll.

But my strongest theory, and the one I have chosen to believe, is that he's a human who made a deal with the Fae for power, and then reneged. There's a Metric Fuckton of stories about humans fucking up Fae gifts in some way, and the punishment is usually something ironic but always results in the loss of the gift. It could be a faerie harp that makes everyone dance, and the Fae tell the giftee not to abuse it, but they cruelly force everyone to dance so long and so hard that the faerie returns, takes back the harp, and then takes the human's ability to ever make music again, so example (by taking fingers or eyes or tongues as well, often.)

So I think Mad Jack strikes a bargain for power - but, then tries to abuse that power (nuclear war). But part of the bargain is that the Fae cannot approach him directly ever again. In the real world, they therefore tempt him into the faerie ring and bind his soul there, problem solved - until the Doctor accidentally lets him out, and gets his own soul stuck. Ruby, therefore, becomes the instrument through which they manage to take that power away once again - and then, her final Fae gift for her service is that they use the temporal anomaly of the faerie ring to send her back, at the end of her life, and give her a second chance. This time, with Mad Jack's soul left bound in Annwfn.

The fun part is, RTD is a writer who understands the power of not explaining everything and leaving some things up to the viewer's imagination, so none of this is ever going to be explained lol. But yeah, that is a gwyll. The moment she appeared, I said out loud "Oh holy fuck, gwyllion." That was a gwyll.

As a final observation, I loved seeing Siân Phillips, and I choose to believe they filmed those scenes in a pub because they could only get Siân if they agreed to just come to her local. The woman is a queen.

[steddiealltheway]

Steve looks at Eddie and takes a deep breath. He can ask this. He really can. It's not that big of a deal.

"Hey, Eddie?"

Eddie glances up from the small book he's writing in and raises his eyebrows.

"Can you give me a hickey?"

The book shuts quickly, but, other than that, Eddie remains relatively frozen in place.

Steve shifts to sit up a little straighter against the wall of Eddie's bedroom as he explains, "There’s this girl who keeps coming into Family Video who is really persistent. I've tried to drop hints that I'm not into her, but she isn't getting it. And Robin suggested that I needed to appear to be in a relationship so she would stop."

Actually, Robin had told him that he needs to be direct and reject her, but he didn't want to be cruel. So, he suggested that the two of them should pretend to be in a relationship. But Robin only looked at him in disgust and told him that she would not be taking the fall for his problem.

"Why don't you just reject her?" Eddie asks.

Steve sighs. Why do people keep having to ask him that? "It's not the Family Video way."

Eddie snorts and glances away, pausing for a moment before turning back. "Why me?"

Steve shrugs. "You're the only friend my age that I can ask. It would scar me and Robin for life, and there's no way I'm asking Nancy."

"You know who would do it with no questions asked?" Eddie asks.

"Who?"

"Argyle."

Steve laughs. "Yeah, but I don't really know the guy."

Eddie softly smiles and nudges his shoulder. "So you're saying I make you comfortable?"

Steve looks at him, wondering why he's phrasing it like it's a question. "Yes," he confirms.

For some reason, it seems to fluster Eddie, but he quickly nods and sets down his book. "Okay."

"Okay?"

"I'll give you a hickey," Eddie says.

Steve swallows and runs a hand through his hair. "Cool. Cool. Uh, I guess we should do that now?"

Eddie nods, but neither of them move.

A few seconds pass before Eddie clears his throat and asks, "So, how are we doing this?"

Steve shrugs. "However you're comfortable with, but you should probably be in front of me."

Eddie nods and says, "Right." Then, he shifts and swings a leg over Steve's lap, straddling him on his bed.

Steve's heart beats a little faster. He hadn't thought this far into his plan, and he certainly hadn't expected Eddie to make him feel this way.

Eddie slowly leans his head down to Steve's neck then sits back, biting his lip in thought but not saying anything.

"What?" Steve asks.

Eddie fidgets with his rings and says, "This will be easier if we're standing up or laying down. Sitting like this is going to hurt my back."

Steve knows that either position is going to kill him, but the thought of his knees buckling while standing up has him deciding, "Well, we're already on the bed, so..."

Eddie nods at him and moves so Steve can lie down.

As he gets comfortable, Eddie climbs on top of him, hovering in a way that must be a damn workout.

Steve laughs, "You don't have to do a plank over me. You can get comfortable."

Eddie blushes a bit then settles his weight over Steve's body. And oh. Yeah, that feels nice.

Steve reaches up to hold Eddie's hair back so he can look at him. And shit, he didn't realize this is an angle he wants to see Eddie at more often.

"You're still okay to do this?" Eddie asks, voice slightly rougher than before.

Steve nods quickly. "Yes."

Eddie nods back and leans down as Steve tilts his jaw to expose the right side of his neck.

Eddie's breath is hot against his neck, mouth hovering but not touching yet. "Where do you want it?"

Steve tries not to sound so strained when he says, "Right under my jaw."

Eddie's lips finally brush against the sensitive area almost like a kiss before he opens his mouth wide and presses his lips firmly against the skin, tongue brushing lightly against him before he begins sucking. Steve's eyes squeeze shut when Eddie's teeth brush slightly against him. He slaps a hand over his mouth and fists his hands into Eddie's sheets.

This was not part of the plan. This was definitely not a part of it.

Soon, Eddie pulls away, and cool air makes contact with the wet spot against his neck as Eddie breathes out.

Steve's hand clamps over his mouth tighter before he opens his eyes, thankful that Eddie is staring at the mark and not at his face. But he's confused about why he's frowning.

Then, Eddie's hand comes up to lightly tilts his jaw back to him, but he still stares at the mark with his brows pinched.

"What's wrong?" Steve asks, a little more breathlessly than he wants to sound.

Eddie finally looks him in the eye and says, "It's...it's good. Like, a solid hickey... but it's right under your jaw like you asked so it's not extremely visible." He crawls off Steve and grabs a small mirror off his side table.

Steve grabs it, trying to ignore how flushed he looks before he stares at the hickey. Eddie's right. It's nice and red, standing out against his skin, but only when he tilts his head just right. Hell, someone could brush it off as a hit to the jaw.

Steve sighs. He doesn't know if he'll be able to survive Eddie giving him another hickey.

"I can give you one on the middle and bottom of your neck if you really want to sell it," Eddie offers.

"Sure," Steve says without thinking. Because shit, if he doesn't think he can survive one more hickey, how the hell is he supposed to survive two??

But Eddie takes the mirror back and is on top of him again before Steve can really think.

Luckily, Eddie looks him in the eye and asks, "Are you sure you're okay with this? We could just put makeup on you to make it look like hickeys."

Against his better judgment, Steve shakes his head and replies, "No, it's okay. I want this to look as realistic as possible. But, hey, are you okay with this?"

Eddie nods quickly and enthusiastically in a way that makes Steve feel like maybe he's not the only one enjoying this a little too much. Honestly, it makes him feel much better... but also knowing that Eddie's into it makes him feel h-

His thoughts are cut off when Eddie's hand fists into his hair and gently pulls to expose his neck more. Without thinking, Steve's hands come up to grip onto Eddie's back tightly as he sucks another hickey into his neck.

Steve pinches his lips together as best as he can, but he's sure his heavy, quick breathing gives him away.

Then, Eddie moves on from his neck to the junction between his neck and shoulder, pulling at his shirt to get better access as he trails his lips over his skin, never losing contact as his wet lips leave a trail connecting the two areas.

But when Eddie starts sucking a mark into his neck again, something about the area sets something off in Steve causing him to moan loudly. He slaps a hand over his mouth again, but the damage is already done.

Only, Eddie doesn't pull away. He sucks harder.

Steve's back arches off the bed, and his hands fist into Eddie's hair pulling him off of him.

Eddie's lips are red and wet with his own saliva and his pupils are blown wide in juxtaposition with the panic filling his eyes.

Steve breathes out, "Please tell me I'm not the only one who wants this."

Eddie shakes his head quickly and rasps out, "Fucking hell I thought you were going to murder me."

"Eddie, the last thing I want to do to you right now is murder you."

He leans down, brushing his nose against Steve's, and whispers, "And what do you want to do to me right now?"

"First, I want to kiss you," Steve confesses, heart hammering in his chest.

Eddie leans down, lips brushing against his as he asks, "And then?"

"I'm thinking something that involves a lot more hickeys."

Eddie smiles. "I like the sound of that."

Finally, they both move together, kissing deeply in a way that makes Steve think that maybe Eddie's lips are magic everywhere.

And shit, he's going to have a hell of a time explaining the hickeys to Robin and the kids, but it'll be worth it.

Now including an Ao3 link :)

[amarriageoftrueminds]

TL;DR: It's not true that Tony didn't have any involvement with weapons at the time. The Maximoffs were killed in 1999. By that point, Tony had already been "merchant of death" and CEO of Stark Industries for 8 years.

Long answer:

IM1 specifically said of that period:

"...at age 21, the prodigal son returns and is anointed the new CEO of Stark Industries. With the keys to the kingdom, Tony usher[ed] in a new era for his father's legacy, creating smarter weapons, advanced robotics, satellite targeting. Today, Tony Stark has changed the face of the weapons industry..."

In other words, Tony's presence is framed as the thing which triggered the creation of smarter weapons (among other things, too). There's no indication that he started on the weapons part later on.

(In fact, he is personally credited with having changed the weapons industry. Not his father, not the company generally: Tony. And not the robotics or satellite industries, either.)

As Pepper said in IM3, Stark Industries profited off military contracts.

At the end of 1999, the year the Maximoffs were killed, Tony was in Bern, Switzerland for New Years Eve, famous enough to be delivering a lecture on integrated circuits at Bern 2000, while drunk. And important enough in the weapons industry for A.I.M founder Aldrich Killian and Extremis-inventor Maya Hansen to be trying to give him elevator pitches.

So he's a famous weapons designer, canonically- what, 800 miles away? -from Sokovia, doing science stuff, publicly, in the same year... but he's got nothing to do with his company's missiles being there? 🤨

By the time Tony was 40 in IM1, eleven years after the Maximoffs died, he had already designed the Jericho missile, was making personal pitches to the US Army, had a long-time buddy in the US Air Force, and was beloved of American soldiers (why? what's he done for them? obvious answer: designed weapons). And he was not acting as if any of this was a new or recent development for him.

Tony was building circuit boards when he was 4, engines when he was 6, robots when he was 16, graduated early from MIT at 17, and was CEO at 21. The implication of Tony being a wunderkind is that he was capable of making people-killing designs for a lot longer / from a much earlier age than you'd think.

In both IM1 and IM3 he was shown capable of making weapons from scratch by hand, with limited resources and without a computer's help (and weapons were his first idea; not, say, robots. He describes himself as a mechanic... but he doesn't make a machine. He makes improvised bombs and guns.)

He also had a pocket-sized "very powerful weapon" on him, for his personal use (which he gives to a child). Where'd that come from? It's antithetical to Tony's ego to be carrying something he didn't design himself, given the way he sneers at other weapons designers. So chances are that's a weapon Tony designed... years after claiming to be out of the weapons designing industry.

It's similar to the one Obadiah Stane used on Tony in IM1. And Stane said "you remember this one?" as he deployed it on Tony. So chances are… that thing was Tony's design too. (We don't know for sure. But we do know for sure that it was designed by Tony's company, that he was in charge of). Yet Tony still had something similar by the time of IM3: his weapons producing habits didn't alter outside the timeline of the movies; only his sales habits.

Also relevant: Stane described Tony as the goose that laid the golden eggs (viz. weapons designs) and that killing him would cause a fall off in designs. Because he wanted control over sales of weapons that Tony designed, including the ones government didn't approve. So Tony didn't just design weapons, he designed unethical weapons, and continued to do so even after falling victim to said weapons himself and (therefore) claiming to be out of the weapons designing business.

Sidenote: Unlike his daddy, who only "helped give us the atomic bomb" with US government backing. Howard made weapons with government backing, whereas post-IM1 Tony believes he's doing it outside of government control / believes he's not an arms dealer just because he's only dealing arms to Americans. But... he gives his designs to the USAF free of charge... and to daddy's corrupt American alphabet agency... despite already finding out they were hiding things from him way back in Avengers1... and then he signed the Sokovia Accords. 🤦‍♀️ (And this isn't even including his work on Project Insight and Insight 2.0, aka E.D.I.T.H.)! You can really see where the writing failed to point out the delusion and hypocrisy, here!

Ergo: Tony has always been a weapons designer and truly never stopped, so designing and selling a missile that killed the Maximoffs is totally within his wheelhouse. He didn't for some reason suddenly become inept / unconnected to weapons design, during the period of the Maximoff's death, just because it's icky and he was in his 20s at the time. 🤷‍♀️

(And I don't think it's a coincidence either that Tony's baby Ultron is obsessed with "peace", and tells Wanda "men of peace create engines of war," War Machines if you will, when Tony specifically keeps framing himself as creating a "peacekeeping initiative", having "privatized world peace" etc. right before the scene where Pietro describes how their parents were killed by one. You are meant to see the connection to Tony, not just the Stark company.)

However: what we don't know is whether that specific missile that killed the Maximoffs... was one of Tony's designs, or Howards, and/or when it was bought.

In AOU (2015) Strucker's Hydra base fired missiles on the nearby Sokovian city, and the locals reacted with hostility to the appearance of Iron Legion bots (Tony's proprietary tech). If the same base deployed the Stark missiles that killed the Maximoffs in 1999, then you could interpret that as showing the connection between the Starks and SHIELDra. (Though it makes the idea that the twins would then volunteer to work at that base... completely baffling?? 😵)

The missile that killed their parents could've been one of Howard Stark's designs from the 19?0s, kept in storage for years before it was deployed in 1999. But it's equally possible that it was a brand new design of wunderkind Tony's, recently sold to SHIELDra.

But that is irrelevant.

Because either way Tony did still get the profits from that missile sale. He was an active part of Stark Industries weapons designs already, on the same continent, and made money off the thing that killed the twins' parents. He still should have apologised; or at least paid compensation or something (what did he profit from those missile sales, I wonder? How much does one cost?)

The fact that Tony may or may not have personally designed and sold that specific missile (or if he didn't personally assemble it, with his own bare hands) is immaterial when he was the one who reaped the rewards. It'd be like claiming Elon Musk isn't to blame if someone was killed in the emerald mine he inherited from his father, when he also happens to run a 'making things that kill people in emerald mines' company.

The real problem is the double standard of protagonist-centered morality.

Wanting to kill the person responsible for your family's death is framed as villain/antagonist behaviour when Wanda, Pietro, Vanko, T'Challa, Zemo, various Spidey characters, etc. do it. But Tony is allowed to want to kill someone actually innocent of voluntarily killing his parents (which Tony admits to knowing, mid-fight) and still be regarded as a hero.

Everyone else is made to either nobly give up their desire for revenge (as a sign of their heroic nature), realise they were targeting the wrong person (as a sign of acquired wisdom), or both... or remain a villain. But not Tony. 😕 Tony tries to kill the wrong person and someone extra just out of spite, and he gets apologised to!

And so far from personally apologising to Wanda, they never have scenes together (ditto Bucky), and CACW has Tony shifting the blame off himself and mansplaining to Wanda & the gang how they don't care about civilian casualties like he does... after yet another Stark design murdered her twin brother! And by EG, he's back to claiming that Ultron (indistinguishable from Hydra's Project Insight, and what Baron Strucker was working on) was a great idea anyway!

The one thing that frustrates me about Wanda hating Tony and blaming him for what happened to her parents was that he didn’t have any real involvement with weapons at the time and he didn’t have any change to apologize or clear up anything about it and we can all blame the writers instead of blaming Wanda or Tony

[mariclerc]

Jealousy and friendship | cl16 & mv1

Summary: where one of your best friends' girlfriend suspect things between the three of you.

Warning: a little angst, shy reader, Alexandra's and Kelly's mention, fluff and happy ending. (if you like ASM I'm sorry)

a/n: let me know if you liked this!!

You've known Max and Charles for a couple of years now - or rather, since they were competing in international karting back in 2009 or so, when they were 12 and you were 10 year old. You always liked motor racing and every now and then you went with your father to karting races and that's where you met them, they were like two peas in a pod, they went everywhere together, and even though they had some problems on the track, they forgave each other off it.

You've been through it all together, from the good times to the bad, you and Max were by Charles' side in his worst and saddest moments, just like you and Charles were by Max's side trying to defend him from Jos's abuse and so on. There were times when their old girlfriends would think that they had something with you or there were also some of them who didn't care that much, let's say, since you and Charles went to Max's house once a week to spend time with him or to play with his cats, and you and Max did the same with Charles and that coexistence that you had had not brought problems... Until now...

You are back in the paddock for the Singapore grand prix, you hadn't been to the paddock for a while because you were a bit busy with work and so on, but the boys adore you and let's say they needed your presence with them, so each one of them sent a pass to their respective team so you could spend time with one and the other. The people in the paddock adore you, the fans call you Max and Charles' "lucky charm" because of all the times you've been in the paddock, things have gone well for them and it actually makes you laugh a little, since you don't consider yourself like that.

“I'm so happy to be back here.” you say walking through the paddock with Kelly and little Penelope. Kelly has been understanding of the situation between you, Max and Charles, as she knows you are very close and doesn't mind you two going to visit Max at their house. “Oh, I missed the paddock a lot!”

Kelly smiled as she held Penelope's little hand. “I know honey, the boys missed you too. Do you know what it's like to deal with Max going to Ferrari hospitality only for Charles to give him a hug because you're not with them? It's a big mess!” she says and you let out a shy giggle while blushing.

“Oh please, I don't think it was that bad.” you say in a low voice while giggling.

While you were walking you didn't notice an upset Alexandra heading towards you two, she doesn't really like the idea of you and Max going to Charles' house, just as she doesn't like that you are Charles' best friend... Let's just say she doesn't like sharing Charles's attention with anyone else, or even fans.

She approaches you aggressively. “Excuse me, but what the hell are you doing here?” Alexandra says with fury in her voice.

“Uh... I came because Max and Charles invited me... It's nothing serious.” you say a little startled for her presence and attitude.

She scoffs. “Yeah, sure. It's like you want to always be a third wheel for them.” she rolled her eyes.

“That's... That's not true, we've been friends forever.” you say with a little bit of pain in your voice.

Kelly tries to join in on the conversation. “Alex I think you're being a little... Aggressive with y/n, there's no need to get all down on her, she's just supporting her friends and that's it.” she says, shrugging her shoulders. “I don't see anything wrong with it.”

Suddenly Alex starts screaming and creating a scene around you three. “You know something? I'm tired of you trying to get between Charles and me, trying to steal his attention from me and those are things that only a slutty little bitch does.” she says with her words full of poison towards you.

You never thought that being so close with your best friends was going to be seen that way, besides Kelly was always very open to you and Charles being around Max constantly, but Alex? It was a different case, she was always jealous of you and Max since the very first minute.

Tears form in your eyes. “I'm... I'm not trying to do anything, I just love being around them, they're my friends.” you say softly. “I didn't mean to cause any problem, I'm sorry... I- I can leave the track if you want.” you say in a whisper, almost turning around to leave the paddock.

Suddenly you see both Charles and Max coming walking towards where you three are.

“Hey, what's wrong here?” says Charles a little concerned.

Alex fake smiles at Charles. “Oh, nothing honey, just that she's causing trouble again, you know, it's nothing new.” she smiles cynically and hugs him tightly. “We can go get something to eat before practice.”

You shake your head. “That's not true.” you say shyly.

Charles tries to calm the situation. “Come on, let's just talk about this, okay?” he says as he separates himself from Alex.

Max clicks his tongue. “Kelly, what really happened?” he asks Kelly.

Kelly smiles. “Y/n and I were walking with P when Alex arrived a little bit hysterical to say accusations about y/n and the friendship she has with you two.”

Alex continued with her dramatic rant. “She's always trying to get close to Max too! It's like she's so fucking obsessed with both of you.”

Max stands in front of you to protect you. “Hey, hey, leave her alone Alex. She's not doing anything bad to you, is she?”

Charles nodded at Max's words. “Exactly, leave her alone, she can walk around the paddock whenever she wants.”

Alex's jaw drops. “You're defending her?”

“But of course I do, she's my best friend.” Charles said with a smile on his face.

Apparently Alex didn't like Charles's answer because she went straight to the Ferrari hospitality without saying another word to him, which is an unchildish attitude on her part. You just wanted to enjoy the weekend in the paddock, but it seems the universe had other plans for you...

***

It's been like two weeks since the Singapore GP and the start of an autumn break from racing, which meant you would spend more time with the boys... Which the three of you had already been doing, the three of you had already gone out to eat and so on, what did seem strange and weird to you was that neither Alex nor Kelly were with them, as was usual, which seemed quite strange and unusual to you...

One day the boys were in your apartment enjoying an afternoon of gossip and pastries, something typical that you usually do when you have free time, to catch up on the lives of each other.

You sighed. “Guys I have to apologize for what happened at Singapore, I mean... I know it's not my fault but I feel like it is.” you say softly.

Charles smiled shyly. “Honey it's not your fault, Alex is... Pretty dramatic, let's put it this way, but it doesn't matter, you didn't do anything wrong.” he said softly.

“Plus now you'll have us all the time because we broke up with our girlfriends!” Max said with a smile, causing you to choke (almost) on a croissant.

“What?! But how?” you said, you were speechless, I mean, you swore that Max and Kelly were going to last a lifetime because they were raising Penelope together, about Charles and Alex you kept your opinions to yourself.

Charles sighed and Max spoke.

“Well, Kelly and I were on good terms, she was quite understanding, to be honest.” he said and you looked at him. “We decided to keep them as friends because of Penelope, and that's fine!”

You smiled at Max's words. “That's very good! And you Charles? What happened between you two?” you subtly asked the Monegasque, who blushed a little and scratched the back of his neck.

“Well... In my case... Alex and I broke up because... Ugh, how do I say this...” he murmured rather timidly.

You frown. “Say what, Charlie?” you asked him softly and shyly.

He sighed again. “We broke up because... I confessed to her that I'm bi.” he said and looked at you all flustered. “And let's just say she didn't take it very well... She started screaming at me that I was just playing with her and that it was all a lie. She started saying that she was going to defame me.”

You look at him and give him a smile, is it really unexpected? Quite a bit, but maybe not that much since it's undeniable the way he sometimes looks at Max. Likewise you are happy because he is embracing his identity.

“Oh charlie, you're so brave sweetheart, I'm so proud of you!” you smiled and hugged him tightly. “It's a shame she didn't take it well... In the end, it's her loss.”

He smiled, feeling a little relaxed. “Yeah, I know. Max told me the same thing, but I'm still happy that you guys are so kind towards me.”

Max chuckled. “Don't worry, besides, you are very brave for embracing your truth.” he said while smiling and you nodded.

“Exactly Charles, you're doing the right thing!” you said.

There was a little bit of silence as you ate your delicious desserts, then Max decided to break that silence.

“So, what do you think?” he said as he looked at you and Charles at the same time.

You blushed. “What do you mean?” you asked Max.

Max smirked. “You know what I mean, beste.” (darling)

Suddenly Charles joined the fun.

“Yeah, what do you think about us, y/n?” he says while smiling.

You laughed while blushing. “I think you're both crazy... But in a good way, of course.”

“Or... Maybe we're just perfect for each other.” Charles says teasingly.

Max agrees. “Yeah, maybe.”

You smile. “We'll see...”

***

After a couple of days both you and Charles moved practically all your things to Max's penthouse, the three of you wanted to give a chance to what would be a polyamorous relationship between the three of you which excites you and scares you at the same time.

They have also told you that you have nothing to worry about since you have been friends for a long time and this is just a plus in your relationship.

You smiled while looking at Charles and Max. “I can't believe we're actually living together!”

Charles' smiles too. “I know, right? It's like a dream come true.” he said while sighing contently.

”Yeah, it's been great so far.” says Max while nodding.

You blushed at the thought of feeling so shy and nervous around them. “I'm just a little nervous about everything... But these last few days have been great!” you say softly. “Max’s penthouse has never felt so cozy!” you say in a whisper and Max rolls his eyes playfully.

Charles' hold your hand softly. “Don't be nervous. We're here for you!”

Max smiled. “Yeah, we'll help you with anything you need. Don't worry, you don't have to feel that way, we've been together several times already.” Max said very confidently.

Suddenly, Jimmy and Sassy jump up onto the kitchen counter, knocking over a bowl of cat food. You and Charles burst out laughing while Max scolds Jimmy and Sassy for jumping on the counter.

Max runs to the kitchen to scold the cats. “My god... Hey! Get down from there!”

You burst out laughing. “Oh my god, those little troublemakers!”

Charles join you in the laughter. “They're so cute... when they're not being mischievous, obviously.”

Max picked up his cats off the counter. “Come on, you two. Go to your tower, eat, I don't know, but don't break anything!”

As Max carries the cats away from the kitchen, you and Charles continue to laugh in his way of scolding and punishing his cats.

“You know, you're really good with animals.” Charles tells you with a touch of mischief in his voice.

You blushed. “Thank you charlie. I just love them! Especially Jimmy and Sassy... But when they're not tearing up the penthouse.” you giggled.

Charles smiles. “Maybe we should call you "The Cat Whisperer". Because you are very good with them.”

“Stop it!” you laughed while blushing.

Suddenly Max returns to the kitchen after having fought with Sassy and Jimmy.

“Okay, the little beasts are calm now!”

You smiled. “Good! I was starting to worry.”

Charles giggled at your concern for the cats. “You're such a caring person.”

You blush a lot, it's something you usually do, especially around those two.

“You guys are so sweet!” you giggled softly.

Max smiled. “We know, darling. That's why we love you!”

You hug them and realize that this is where your heart belongs — with your boys, no matter what people think or what they want to say, what matters is how the three of you feel about each other. And even though sometimes they are a little unbearable and all that, they are always there for you just like you are there for them.

[daenysx]

hi bby, could i request jealous modern!aemond?😊

i tried my best but i feel like everything was better in my head, i hope i managed to get things right with the words <333 thanks for requesting

modern!aemond targaryen x fem!reader

-aemond needs to get you back.

cw; kinda like exes to lovers, jealous!aemond, aemond being an idiot and he's sorry for that, criston cole in his own warning, reader's shorter than aemond, mentions of alcohol, kissing, aemond being desperate to get you back, also he's a sad fool and he accepts that, suggestive towards the end but nothing descriptive, title is a hozier lyric

wc; 2k

i'll crawl home to her

aemond likes to think he's good at controlling his emotions. at least he can keep his face neutral, he doesn't let people know what he thinks.

that turns out to be a lie, though, the moment he sees a guy behind the bar stool you sit.

he relaxes his fists. you're not his girlfriend. he has no right to feel jealous over your affections. who's that guy, anyway? how can he be bold enough to talk to you like this, leaning to the bar with his arm almost wrapped around you? aemond hates the idea of someone being braver than him. he fucking despises the idea of you giving a smile to that- that asshole.

"you okay?" cole asks, his glass almost empty in his hand. he follows aemond's gaze and, boom. just like he guessed.

"of course, i'm okay." aemond replies, coolly. there's no logical reason behind his real emotions.

"if you keep staring like that, she will notice."

aemond turns to him sharply. his gaze is burning, almost feels like crying or something worse than that. "i'm not staring."

"if you say so." cole shrugs. he's got worse problems than dealing with aemond's jealousy to be honest. he knows aemond will never admit what's happening in truth.

"do you- do you know who that is?" aemond asks, not that he thinks cole can actually know a random guy at the bar. he tries to fill the stupid silence between them, change the subject after that, storm out when he finishes his drink. he despises the pathetic situation he unwillingly put himself into.

"do i know the guy who's flirting with your ex-girlfriend?" cole pretends to think. "um- no, i don't actually."

the mention of you burns his chest. it's because of the whisky, he tells himself. keep your cool, keep your cool. don't let them know anything.

"it doesn't matter, anyway." he says, feeling like a desperate fool.

"no, it doesn't." cole agrees. aemond can sense his mocking, his tendency to talk boldly tonight. cole isn't like that usually. "because you are not together anymore."

"we're not."

"because you let her go." cole continues, takes a sip from his glass. "it was quite stupid of you if you ask me."

"i didn't ask you, cole."

"no, no, but just- what were you thinking when you decided to break things off with her, hmm? what was the motivation behind it?"

"you're going too far."

"i'm not." cole says. "you just can't face with your own decisions."

"fuck off." aemond stands up, getting his jacket. "you don't even know what you're talking about. didn't ask your damn opinion about my love life, did i?"

"just admit you failed, aemond. lost the one good thing about you." cole speaks calmly after him. "you'd do all of us a great favor."

aemond walks away. there's no need for drunken arguments tonight, he's certainly not in the mood for discussing his past decisions. he can't help a brief look on your seat, though. you're not there. he didn't see you leaving, he can't see your jacket or that sparkly purse you love so much. the guy stays where he is, chatting with his friends. where are you?

"oh!" someone shorter than him almost collapses with his chest. "aemond?"

aemond wishes you to not look so pretty with that smudged eye make up and- his fucking favorite color on your lips. what kind of strength should he have to not kiss you against the wall when you're looking at him through those glossy eyes? he takes a step back, an apology ready on his lips.

you beat him through it. "sorry." you say, blinking your pretty eyes. "didn't see you there."

"no, it's okay." he collects himself before doing something stupid. "i was walking too fast."

you nod, your purse in your hand and your jacket thrown on your shoulders. you don't look drunk, maybe just tipsy. turning your back to him, you keep walking your way, out of the club. running into your ex-boyfriend shouldn't stop you from going home.

aemond thinks of the guy back there. you're not together with him, are you? he's not with you right now, he doesn't call a cab, and you don't look like you're waiting for anyone. that must be a relief. it doesn't feel like it, though. aemond is certain anyone who sees you would fall for your charms, that guy was no exception. all the hypothetical men get into his head. fuck them all.

"are you alone?" he asks you, foolishly. you nod. no words for him. why would you bother?

"i can- my car is over there if you-"

"i don't want anything from you, aemond."

okay. he deserves this. he knows he deserves this.

"it's late." he says. "i know you don't want anything to do with me, but i can at least-"

"i said no." you cut him. "you don't have to pretend to care."

you start walking in the cool breeze of night air. it feels nice on your face. aemond follows you like he's lost, like he doesn't know where to go without you. "can we talk?" he asks, his voice is softer than the last time you talked. "please?"

"there's nothing to talk about." you tell him, looking at him briefly.

"i made a mistake." he says like he's pleading. the alcohol gets him, his lips move on their own. he keeps telling himself he won't regret anything he tells you right now. he's not drunk, that means they are all real. "i made many mistakes. letting you go was the worst of them."

"that sounds like an interesting story." you say, sarcastically. "would you like to continue? i'm sure people on the street will enjoy your freak show."

he has no explanation for this but your attitude turns him on.

"i saw you with that guy." he says.

"you really should stop talking now." you say. "you're being pathetic."

"no, i-" he can get on his knees and beg. he's cursing his past self, cursing his stupid decisions. "please."

"please, what?" you get angrier each second. this is not a game you'll be playing with him. "do you realize how stupid you sound?"

"of course i do." he answers with a slight pout. "i just need you to see- to understand how terrible it makes me feel, to- to see you with another guy and not being able to do anything about it-"

"no need to be so selfish." you say, calmly. "i'm not your anything. you cannot react like this every time we run into each other by chance."

"i regret it." his legs can give up any second now. he begs for something divine to help him out of his misery. "i regret everything i did. i never should have let you go."

your heartbeat gets quicker with anger and adrenaline. the fact that you're still hopelessly in love with him does nothing to calm your nerves. he doesn't deserve your love. you will not accept anything he says until he proves he's worthy. you try to control your breath, stop your hands from shaking. he has no right to do this, you remind yourself.

"it's too late." you say. "you don't deserve to get everything back after you let them go like the way you did."

he looks at you so sweetly, you have to swallow and look away. he's fond of that attitude of yours, how you put yourself first after he hurt you, and his chest tightens with the loss of you there but he can't help a wave of affection towards your frowny face and your crossed arms. there's his girl, you're still there, still present with your anger and precise words. he would to anything to get you back.

"i know." aemond agrees, slowly. "i promise, i know- and you're right, whatever you decide to do, you're right."

"are you trying to fix us just because you saw me with another guy?" you ask, eyebrows furrowed.

"no, of course not. not only because of that." he says quickly. "i wanted you back since the first time you walked out. i just didn't have enough courage to talk to you."

"so you're admitting you were being stupid and acting like coward?" you challenge him with two things he hates the thought of being the most.

"it was stupid of me to break up with you." he says slowly. he's gonna have to be a big boy for this. "i was only trying to protect you from my family and- and myself, but i acted cowardly."

"i can protect myself." you say. "i don't need you to decide for me."

"i know that, sweetheart." he smiles. it's a tiny move on his lips, he's always so fond of your independent nature. "i apologise for not speaking things clearly."

it's your turn to smile. you take a step towards him, he stays still. the top buttons of his shirt expose his neck nicely, the chain you got him hanging there. he never let you go. he was only being an idiot. you think you want him back. he can fix his own idiocity by himself, but you want him back.

"what do you want?" you ask with a kind voice like you're teasing. you're not teasing, not in the least but he doesn't know that, does he?

"i want you to be my girlfriend again." he says, straightening his posture. his shoulders are high, his neck long. he feels like a dragon ready to fight for you. "if you'll have me."

you push him softly against the wall behind him and cup his cheeks. he accepts the kiss greedily, changing positions so that your back is against the wall. he makes a rightful mess of your lipstick, his hands on your waist and on the back of your neck. you close your eyes. his scent hits your senses so well, your hand goes to his shoulder to pull him closer.

you break the kiss. "you cannot do the same thing again, okay? you cannot leave me and come back, you cannot think for my place and make my decisions when it comes to you and our relationship."

"okay." he says, his eye closed and his lips following your mouth. "i promise."

"good." you say, pull him for another kiss. it's only been two weeks but you missed him. he feels safe like this, and familiar with his body pressed against yours against the wall of a club. the darkness of the night covers you, your sparkly purse is the only thing that can be seen from a distance.

aemond kisses you like he's been out of breath for so long. he's been a desperate fool for days but now it's over. everything gets clear when he gets you like this, his mind free of worry and anger, all those devilish thoughts that bother him. he's content with his place, he doesn't have to pretend he's okay. it's all real.

"by the way-" you start saying between two lovely kisses. "that guy back there already has a lover named charles. you didn't have to worry about him anyway."

aemond laughs and it's a real laugh, not one of the fake ones he has to throw into aegon's or cole's face. you smile and he kisses your cheek. you hold his hand, he squeezes your fingers.

"i like your dress." he changes the subject, leading you to his car. "is that new?"

"of course it is." you answer, cheekily. "my boyfriend decided to be a jerk for no reason and i had to keep myself busy with something."

aemond had no idea the night could turn into something amazing when he first agreed to come here with cole. he can't keep his hands off you, kisses you against the car this time. he's gotta find a way to make up for the time he made you lost. kissing you and getting you your favorite drink on the way home might be a good start.

he gives you a silent promise to atone his sins between your legs in the following hours.

[bluerosefox]

Guys I came up with a new DPxDC AU where we get Deaged!Dani(Ellie), Mom!Cass, and Dad!Danny.

"Cass... Are you sure you want to do this?" Tim asked one more time before he would put the last code in. He knew she was sure, more than willing to deal with it but he just needed one more confirmation before they all started what couldn't be stopped.

Cass stared at Tim, her face straight and her eyes firm without a hint of doubt. She nodded in his direction, despite the growing nervousness in her stomach for a second even with Stephanie squeezed her hand in reassurance and support.

Cass turned her gaze to the little girl, no older than thirteen, suspended in a tank full of green glowing goo and asleep. Her vitals showing up on screens near the tank coming from the wires that were hooked up to her inside the tank.

She said her name was Danielle Masters but had also said she wouldn't mind a new name once she was no longer just a clone but instead Cass's new daughter. She had only asked to include her 'dad', a Danny Fenton/Phantom, in her future naming decision too

Cass took a breath and said softly but determined "Save her."

Tim nodded back and entered the final code into the computer.

-x-x-

Basically-

Cass, while in Hong Kong, finds a destabilizing Dani.

Cass see's the desperation and fear Dani is in and helps as best as she can.

She manages to help but they both seem to know the next time this happens will be Dani's last.

Dani is very, very sick at this point and needs help even standing up.

Cass see's and remembers herself at this age and wants to help.

They do become friends and learn each other backstories

Cass goes to the one person she knows who might to be able to help with the destabilizing clone problem.

Tim, Tim is that person. (Because he's friends with Conner, and no doubt knows Conner's DNA and how it works, AND the fact he tried his hand at the whole cloning thing.... Tim told Cass everything once things settled down after his BruceQuest was done)

They fill him in on what is happening and he starts helping, mostly cause Cass asked and because "Clone rights!" (side note, he asked if its okay to tell Conner, when yes, Conner comes over and chats with Dani the entire time whenever he has free time) (the image of Conner sitting at her bedside as they chat is in my head btw)

Tim finds out the reason Dani is destabilizing so badly is because she's not 'complete', she needs a female donor technically because she's female not male (unlike Conner who is stable because he is male with male donors)

They find out that after trying to see of ways to save her that Cass was the closest that could donate her DNA (they also discover there might be a connection between ectoplasm and the Pits, they don't wanna run the risk of asking a LOA member) (If I remember right Cass grew around the Pits for a while and was even tossed in them after a fight with Shiva)

Tim also brings them news that Danielle's body is rapidly destabilizing due to her body/hormones trying to 'mature' her since she is at that age and she has less than a week.

Everyone knows there is no time to think of trying to save her in any other ways.

Tim says that if they do this, they have to technically 'remake' her body to the actual age she is (a couple months old/a few years old? Depends on the writer) and there was a high chance of her not remembering her old self. That the male DNA in her, the one that seemed to be the most is Daniel 'Danny' Fenton's DNA will be considered father DNA and if Cass does this, her's will be the mother DNA. (Vlad's DNA, because he would try to put his own in, would be 'pushed out')

Cass would become Dani's mother.

Both Cass and Dani talk about it.

Cass wants to help her, she had become friends with Dani and loves her like a little sister already but will try to love her as a daughter as well.

Dani wants to live an actual life.

They agree to it.

Tim sets everything up, Conner is helping around/keeping Dani comfortable/happy.

Cass told Steph and Babs whats happening and they're helping/being supportive once they find out everything.

Meanwhile Tim and Babs has Dick, and Damian go to Amity Park to find out whats happening there/bring Danny to her so they can explain what happened to Dani. (Dick and Damian have no clue why just yet but will find out when they get back, but oh boy is Amity a mess between the GIW, ecto-acts, crazy fruitloop mayor/villain ghost, and other stuff)

Cass and Tim tell Jason and he's helping Alfred (who basically already knows) set up a room for the newest arrival. Jason is gonna stick around if to just see Bruce's face when he gets called a 'grandpa' for the first time.

Duke takes this all in stride when told and just goes along with things now because this is life with the Batfam. He also helps with the room and keeping Dani company until the day.

Bruce was on a space mission thus comes home to find a new group of teens with his kids. One (with black hair and violet/purple eyes) is talking about a purple back gorillas with Damian and swapping vegan recipes, another (wearing a red beanie and has glasses) is getting into tech talk with Tim and Babs, a girl with red hair is talking classic books with Jason and giving Duke advice with school and stress, and another boy (one who could pass as one of his own adopted kids) is cracking jokes/puns with Dick, and telling Steph stories about his Rogues(!?).

Bruce isn't ready when Cass comes up behind him, nearly dancing in her spot and hands him something.

He is given a baby/toddler that looks like Cass but had darker hair and bright blue eyes.

He almost faints when Cass signs to him that he's holding his granddaughter, her baby.

He does faint when Cass notices the signs and takes her baby back before he falls over.

[miraculouslbcnreactions]

In Defense of Marinette

I like Marinette. While there are many valid criticisms of her writing, the same can be said for literally every other character and she's actually doing pretty well given that she's the main character. After all, in a show where consistent characterization is an ongoing issue, the one with the most screen time will probably be the one who's the biggest victim of the issue.

This is heavily exacerbated by the rule that supposedly governs Miraculous. Namely that, in each story, Marinette must make a mistake. Or, at least, so says the head writer:

I really do not care what this guy says on Twitter or anywhere else. I only care about what's in the show because, if you have to go outside the text to understand the text, then you have no idea how to tell a good story.

However, unlike many of the tweets that I've seen, this one isn't some BS bit of lore. It's a writing rule and it has substantial backing in the text. It's extremely rare to have an episode where Marinette comes out smelling like roses and that's a problem because Miraculous has over 100 episodes. In other words, to follow this rule, the writers have to come up with over 100 ways for Marinette to be wrong so of course she's going to come across poorly. Why would you do this to your main character?

It's extremely common for kids shows to have a "lesson of the day" element to them. Someone always needs to learn something, but I've never seen a show misunderstand the assignment so badly. Learning a lesson is not the same as doing something wrong.

It's been a while since I watched the 2010 version of My Little Pony, but it really leaned into that whole "lesson of the day" thing and it actually knew what it was doing, so I'm going to talk about it briefly to discuss things that Miraculous should have done.

The first thing to note is that MLP had an unambiguous main character - Twilight Sparkle - but Twilight was not the one who learned all of the lessons. She had a pet dragon and a crew of five friends who would, occasionally, be the ones to learn the lesson because there were lots of lessons that simply didn't fit Twilight's character. Instead of warping Twilight to make the idea work (cough cough Ikari Gozen cough), the writers just let someone else have the spotlight for a bit.

This is an excellent way to build out your cast and Miraculous had plenty of opportunities to do it. For example, Lila should not have been Marinette's issue. The fact that Lila hates Marinette could have certainly stuck around, but the one who takes her down and learns to investigate her sources? That should have been Alya. A liar is the perfect enemy for an investigative journalist, but a poor enemy for someone who shines as a battlefield commander and overthinks when she's given too much time.

Another way that MLP would teach lessons was to have someone other than Twilight or the main crew cause the issue that they then had to deal with. This leads to one of the best moments in children's television:

And, frankly? Marinette deserves a moment like this. That poor girl has been through hell and is never allowed to make the right call when it really matters. The show will even completely rewrite its lore to make her fail (see: Strike Back). That is such an awful thing to do to your lead! Shows about female empowerment should include women feeling powerful and, no, Lila and Chloe don't count!

Also, the show is literally about Gabriel taking advantage of people who are upset. You don't need to have Marinette make a mistake to shoehorn in a life lesson. Akumas are life lesson fodder and season 1 actually seemed to get this. I'm not sure why they switched gears to "Marinette is the star and, therefore, must always be wrong."

The final way that MLP taught lessons was to have Twilight do something wrong because having your main character do something wrong is a totally valid way to teach lessons. It just shouldn't be your only way because you know who is always wrong in children's media?

Villains.

They wrote Marinette like a villain.

And a large part of the fandom hates her for it because of course they do.

You're not supposed to like villains.

[hyperlexichypatia]

At some point I have to unpack and describe the specific intersection of factors that led to my specific experiences with food shaming (and all related topics like sizeism, ableism, neurobigotry, healthism, ageism, etc).

As a a fat, autistic, ARFID-ite who's consistently been treated as younger than I am, and with scandalously non-abusive parents (how dare they vaguely accept me as I am without beating me into submission!), a lot of the food shaming I've experienced in my life was based on treating me more as a "spoiled child" than as a "fat woman," even after I was clearly the latter.

Food with my extended family or parents' friends or anyone older than myself was always a site of shaming how spoiled I was, how overly permissive my parents were, how rude I was for not eating what I was served (specifically for that -- I wasn't actually doing any "rude things" like commenting negatively on the food, demanding alternate food, or anything like that! But simply not eating what I was served, as a Young Person, was "rude".)

I was also heavily desexualized and somewhat degendered, so it wasn't "You're an unsexy woman because you're fat and ugly, not thin and sexy like a woman should be," it was "You're a spoiled brat picky eater who needs a spanking." Up through age. Like. 24.

And I realize, please believe me, I am very well aware of what an incredibly privileged problem this is. I was stigmatized because my parents weren't abusive? What kind of problem is that? Everyone else was dealing with actual problems, like actual abusive parents!

So my point isn't to complain about my problems, it's to say that food-shaming takes many forms. I was reminded of that when I saw an otherwise good, innocuous post about getting along with family at Thanksgiving, that included something about "Don't ask teens if they have a boyfriend/girlfriend, ask them about their hobbies, or what they're most looking forward to on their plate!" and I was suddenly filled with anxiety, because, no, don't do that. If you had asked Teenage Me what I was most looking forward to on my plate, I would have assumed that you were admonishing me for only having two foods on it, lecture me about how I can't have dessert if I don't eat my vegetables, nagging me to "Just try it," and possibly throwing in some remark about "Back in my day, if we didn't eat what we were told, we got a whipping!" Questions about my nonexistent love life would have been comparatively less fraught.

Don't comment on people's food choices. Don't comment on kids' food choices. Don't comment on teens' food choices. Don't comment on adults' food choices. Don't comment on people's food choices.

Don't ask teens if they have a boyfriend/girlfriend either, although, if that tradition must continue, I'd at least like to add age balance to it. If you ask a 15 year old if she has a boyfriend, she should legally be allowed to ask you how your divorce is coming.

[hup123hup123slapslap]

So a thought has been kicking around my head for a bit...what if Helio knew exactly what he was signing up for by making Kristen his chosen one?

It has always struck me as odd that when describing Doreen in Helioic heaven, Brennan mentioned her flirting with men and women. It also strikes me as odd that Kristen never got any pushback from Helio about turning her back on him. Even if he was similarly 'out of the picture' like sol was while Arthur was wrecking havoc, Kristen's powers should have faded when she fully committed to not worshipping him. You need to worship a god to get powers, and this is emphasized heavily in the latest episode. Kristen worshipping the vague idea of religion but Definitely Not Helio just doesn't cut it. Sure, taking away a PCs powers wasn't really in the cards in season one, but Brennan works very well and very caringly with what he has to establish as canon.

Kristen was looking for a reason to drop Helio from the get-go. His frat boy appearance and non-answer to a nearly impossible question didn't truly matter at the core of her feelings. She wanted an out from the prison she was trapped in with the Helioic faith, even if she didn't realize it fully. She had tension with her mom and her ideals from the scene one! She wanted to connect with people the church actively shunned. Helio was never the true problem.

Now, gods are shaped by their worshippers. So on some level Helio is shaped by people with shitty ideals. But there's still a foothold of good, especially if there are out and proud gays in heaven. Especially if Kristen Applebees of all people is the chosen one.

When you have worshippers misinterpreting your whole deal, going with Sol's shitty messaging and transferring it onto you and using it for bad things, what can you do as a god? Because you ARE what they say you are. So how can you fight back?

Well. You make your chosen one someone that embodies your true heart. Someone that can actually turn the tides of your worship.

There is an emphasis on tracker reinventing and revitalizing her religion. Changing it for the better. Taking the old and not tossing it out, but making it better.

Isn't that what Kristen struggles with the most? That's what she needs to learn how to do.

Tracker also established that she can worship multiple gods when she helped with Yes?. Kristen doesn't need to settle for one even if she (fingers crossed) brings Kassandra back.

Because the season opened with the slow apocalypse of endless night. Endless daytime would end similarly. There has to be a balance. They are two sides of the same coin. Day and night. The surety of the sun and the doubt of the shadows.

Kristen wants both. And she can fucking have it if she decides to.

Ally once said they appreciate that the enemy is always the church. Organized religion. Kristen is perfect for disorganized religion though. Chill frat boy vibes and anxious doubts and the ultimate message of 'just do your best'.

I think religious trauma is a compelling, close to the heart topic for a lot of people. And some turn away from religion entirely and wash their hands of it. But some people don't. Kristen is a cleric. She can't. She wants a god, she wants answers, and she just can't find them in the established community she was raised in. That doesn't mean the core of her religion was wrong. The church was. So you take the religion and you harness it in a way that means something to you.

Maybe Kristen being desperate enough to invite Helio back into her life is what this has all been leading to.

She can remake a god. She's done it before. Because Kassandra was good at the core. Maybe Helio can be too.

[meayefet]

Here's another thing I feel like we need to talk about regarding the current war between Israel and Hamas. Minor as it may be, I've been losing my mind over this.

As a person who grew up in the early 2010s, I grew up mostly on the internet and fandom culture, and have written quite a lot of fanficition in my early teens.

Something I've realized this past week is that people are seeing Palestine as a fandom. And not only does it belittle the actual problem, it dehumanizes Palestinians and Israelis alike and allows the rewriting of facts and truths as if it were an AU fanfic.

After realizing that I jokingly told a friend that I wouldn't be surprised to see RPF about the events of October 7th. I had in mind something like slash fiction of Hamas members, but today I found out people are writing fanfiction about A HOSTAGE AND HER CAPTOR.

I also found out it didn't happen in a vaccum - apparently tiktok is exploding with this stuff, saying Maya Regev - the hostage in question - had "left her heart in Gaza", because she smiled and said "shukran, bye" to her captors.

In case you have forgotten - Maya Regev was SHOT IN THE LEG AND TAKEN HOSTAGE INTO GAZA along with her brother, who was released FOUR DAYS AFTER HER. She was released with a shattered leg and without her brother - but if she smiled, her captors must have treated her so well, amirite? (Even though there are already plenty of horror stories from Hamas captivity, and children came back pale and whispering with their heads full of lice.)

Even in the early 2010s there was a debate whether RPF is legit or not (and at 26 I can safely say it's a no from me), but in this case it's even worse. These are not public figures we are talking about. This isn't One Direction or The Beatles. The Hamas terrorists are, well, terrorists, and Maya Regev is a private person made public because she was TAKEN HOSTAGE INTO GAZA. Writing a FANFIC about actual people who were actually injured during October 7th is beyond sickening, and it's probably the most immoral thing you can do on social media for the Palestinian cause (and if you guys claim to be on the side of morality you might want to be consistent).

Another thing that's driving me crazy is the difference between Israelis and Non-Israelis who grew up on the same things at the same time. my friends and I learned a lot about justice, critical thinking, and the power of art and creativity on the internet. I met a lot of my online friends in socialist youth movements and rallies, and many of them later became my classmates in Bezalel - BECAUSE we applied what we had learned into our adult life.

Non Israelis who grew up on the same platforms as I did who took part in the same fandoms, read the same fanfiction works, learned the same truths of social justice and the power of art- are now viewing the conflict as a fandom. You're either a fan or you're wrong - there is no middle. No room for critical thinking, for "Palestinians have every right to self-determination and an independent state BUT Hamas who actively prevents them said rights has comitted crimes against humanity on 7.10 and must be held accountable", or for "the occupation must end BUT the Jewish people are indigenous to the region" - there is only room for "by all means" and "from the river to the sea". It doesn't matter if they don't know which river and what sea - because if the conflict is a fandom, then they can write an AU to deal with every truth that doesn't settle with their narrative, and rewrite reality to fit their next fanfic.

[nobodyfamousposts]

Do you really think all of ML's problems would be fixed if Adrien never existed?

Good heavens, no.

Adrien isn't the problem. He's just a symptom of a much larger issue. That issue being laziness and poor writing that comes in the form of "tell, don't show", plot threads that go nowhere, and lack of character development or plot progression that leads to a setup of "Status Quo Is God". Removing Adrien wouldn't fix all of that. Heck, it wouldn't fix any of that.

I can't fault the writers for replacing Felix with Adrien. Even if I and others could write out a plot with Felix, that's not to say everyone could or that the writers could. It could very well be that Felix as he was in the PV simply didn't work for the setup they had in mind.

...the issue here is that the setup they had in mind seems to require stagnancy. Where Hawk Moth attacks without winning and the heroes fight off the akumas without really trying to track him as the source and the two leads chase each other around in circles without anyone making any headway in either of these battles. Marinette wants to date Adrien. Chat wants to date Ladybug. It's why all her plans to ask him out fail while his attempts to express his feelings aren't taken seriously. And there is no forward movement, whether in their arc or in the fight against Hawk Moth. There wasn't even build or lead up to the two falling in love. They just started out episode one with crushes on each other and remained having crushes on each other until arguably season 5.

But no good story is stagnant. In this setup, characters need to do things and there needs to be a feeling of forward momentum.

Break it down this way: What is Adrien's problem? What is his goal? What is the obstacle to his goal?

Yes, we could say Adrien's dad being a supervillain and a neglectful jerk is Adrien's main problem, but it's not the problem Adrien is actually focused on in the show. Instead, if we could say Adrien has a problem, it would be that he wants to date Ladybug. And his goal is to date Ladybug. And the source of the problem and obstacle to his goal is...Ladybug.

So his problem, his goal, and the obstacle are all the same thing. This ultimately seems to make his problems Ladybug’s fault then because the problem would be solved if she gives in to his wants rather than by any real effort on his part.

Adrien as he is in the show doesn't do anything. And he doesn't need to do anything because he is at his base a character that things are done for. He doesn't have a goal or direction or drive. He just comes out to deal with akumas as needed, flirt with Ladybug when he can, and then be sad because his life is so hard when he doesn't get what he wants. We don't see him doing anything else. We don't see him making friends. We don't see him engaging in school. We don't even really see how he interacts with the classmates he only recently met. Things happen around him, but he is not a driving force in anything in the show.

But Felix in the PV is a very driving character. He had a problem: he's cursed. What does he need to break the curse? A kiss from Ladybug. What are the obstacles to his goal: Ladybug refusing to kiss him and Hawk Moth trying to kill her. How does he get that kiss? By flirting with her and trying to earn her affections while protecting her and making sure she doesn't DIE against an akuma before he gets that special curse-breaking kiss.

It's the start of Felix's journey. His goal and the various obstacles to that goal that make his story interesting and his growth possible. As such, I see him as a character who would progress in his attempts to obtain his goal as well as one who would progress the storyline...which is also accurate of 3D Felix since that's kind of what he's done more in his relatively few appearances than the series has in 5 seasons.

Adrien didn't have to have Felix's personality. He didn't have to have the same goals or level of drive. But he could still have had things where he grows and helps to push the plot forward.

Adrien...

...just started school. He has no friends, knows no one, and is trying to learn the ins and outs of public education. How is he doing in the different setting with teachers instead of tutors? How is he trying to get along with his classmates? Does he experience bullying? Does anyone NOT like him? What is he going through as a new student who had been homeschooled all his life?

...is friends with Chloe. What's it like learning his "only friend" is a bully? How do people respond to this? Does anyone (besides Marinette) fear him or avoid him because if he's friends with Chloe, he must be just like her?

...is a superhero. He could have been spending time learning the history of the ring and trying to develop his powers. Trying to get stronger? Trying to get to know Plagg? What is he experiencing as a highly known model who is also a superhero and having to juggle those dual identities?

...has a dead mom who died of a "mysterious illness". Given that this loss supposedly occurred about a year prior, he could still be mourning her. Maybe trying to learn what happened to her.

...has a neglectful father. How is he trying to interact with his dad? How does he feel about his dad not being around? What is he doing to try to resolve this?

...has a supervillain father. Like, I cannot stress this enough! His dad is a SUPERVILLAIN! His dad is THE SUPERVILLAIN THEY ARE FIGHTING! People were predicting him finding out and joining Gabriel to try and revive his mom! People were living for the eventual heartbreak of when Adrien finds out the truth! Entire AUs, fan arts, and fanfics were born of this very idea! Going into the drama and struggle Adrien would be experiencing being caught between the "right thing" and the girl he loves and his duty vs his father and his mother and his family. HOW CAN THEY JUST IGNORE THIS?!

But we don't get any of that. Instead, we get Adrien...

...just acclimated with no issues in school and automatically friends with everyone. Good for him, I guess. Wish it was that easy for the rest of us.

...doing little besides occasional comments to Chloe as she is completely horrible for five seasons including Chloe stealing from classmates, getting the entire school punished for something she did, stealing a Miraculous, trying to crash a train, and betraying the city to Hawk Moth. But it takes him learning about something she did to Marinette a year ago for him to finally decide enough is enough and drop her as a friend.

...only goes out to deal with akumas as they come but does nothing to try and figure out his powers and history, get stronger, or try to track Hawk Moth.

...just moves on from dead mom. No relevance here aside from wanting to see a movie she was in or making a passing comment about how she got sick. No attempt to find out what happened to her. No questioning what she may have wanted for him.

...is just sad about his neglectful father neglecting him but seems to get over it rather quickly.

...never learns his father is a supervillain. Okay, I take it back. He learns twice and those timelines are erased with no real repercussions other than trauma for Marinette, so it really doesn't feel like they count. The pieces are all there, though! He knows his dad has the grimoire but never questions him about it! Never asks his dad what the deal was with Tibet! No question about how mom died or what is going on with Nathalie or what he's doing with a hidden mechanism in mom's portrait.

Adrien has potential. He has plot threads and aspects that could be used and goals he could have. But the writing does nothing with him, so while he has a number of things he COULD do to move forward and progress as a character or for the plot, nothing comes of it.

And that all boils down to a problem with the writing.

Adrien was chosen over Felix as an "easier" option to keep the story at a standstill so they could drag it out for as long as needed. That doesn't mean it should have been. There were so many paths that could have been taken, but Adrien was given the personality of a wet noodle, so he acts on none of them because that was what the writers wanted out of his character.